Comics and Sequential Art

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Comics and Sequential Art : Principles and Practices from the Legendary Cartoonist

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Comics and Sequential Art : Will Eisner :

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    As I began to dismantle the complex components I found that I was involved with an 'art of communication' more than simply an application of art. In the first chapter Eisner demonstrates that comics have a vocabulary and grammar in both prose and illustration. He refers to an article by Tom Wolfe in the Harvard Educational Review August , expanding the term "reading" to mean more than just "reading words".


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    • This chapter includes the complete Spirit story, "Hoagy the Yogi, Part 2", originally published March 23, , demonstrating the use of pure imagery visual pantomime with only incidental text to tell the story of Ebony's adventures with Hoagy the Yogi. Compositional and internal timing are demonstrated in the complete Spirit story, "Foul Play", originally published March 27, Compositional timing is used to determine when to reveal events in the story for maximum effect e. This establishes a "time rhythm".

      This is an extensive chapter devoted to the use of one of the basic tools of the comics artist: the frame.

      Comics and Sequential Art Summary & Study Guide

      Learning what goes into creating comics and good sequential storytelling involves understanding artistic disciplines from illustration to graphic design. Every week in this class we will be concentrating on a different concept or discipline that is involved in making comics. Topics will include figure drawing, perspective, composition, inking, different types of panel to panel storytelling, how timing is handled in comics, even costume and character design. Steven Walker is a freelance artist with a B. Walker has an eclectic portfolio of work and has published with companies such as Image Comics.